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Showing Records: 1 - 20 of 31

Anonymous Us. No.16/May., 1991

 Item
Identifier: CC-26061-26523
Scope and Contents

Edited by Leroy Gorman, the poetry is composed by grade school children. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Archive for And the Children Stood Watching / Clark, Thomas A.., 1969

 Item
Identifier: CC-20187-20583
Scope and Contents

This work was published in And No.5, a periodical that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Blades. No.26., 1988

 Item
Identifier: CC-23589-24034

Cenizas. No.24/Jul / Ponge F., 1983

 Item
Identifier: CC-17886-18256
Scope and Contents

This issue was wrapped with No.37. It consisted of blank white pages except for the title page on which was printed "The Ruth and Marvin Sackner Collection." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

Creeping Bent. No.6-7/Win-Spr / Huth G ; Dweller C., 1988

 Item
Identifier: CC-46642-49372
Scope and Contents

A number of the poems are accompanied by comments by the poet or editor or both. Clift Dweller's poem is based upon the cut-up technique pioneered by William Burroughs. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Insect Trust Gazette. No.1/Sum / Jed Irwin, William Levy, Robert Basara, Leonard Belasco, editors ; Burroughs WS ; Gysin B ; Berge C ; MacLow J ; Arp H ; Ernst M ; Eluard P ; Klee P., 1964

 Item
Identifier: CC-55616-57839
Scope and Contents William Burroughs explanation for his typewriter machine poem accompanying this record (MAS basically a masking process): I enclose an experiment in machine writing that anyone can do on his own typewriter. The experiment consists in passing any prose through a grid. The prose I selected for the present example was press criticisms of Naked Lunch and my latest book Dead Fingers Talk. John Wayne, Philip Toynbee, Anthony Quinton (whoever he may be) John Donnelley (") some joker from the New Yorker and Time. I selected mostly unfavorable criticisms with a special attention to meaningless machine turned phrases such as 'irrelevant honesty of hysteria' the pocked dishonored flesh' ironically the format is banal' etc. Then ruled off a grid "”(Grid I) and wove the prose into it like start a sentence from J. Wane, in square I continue in square 3 5 and 7. Now a sentence from Toyby started in square 2 4 and 6. The reading of the grid back to straight prose can be done say one across and one...
Dates: 1964

No One Goes Crazy Alone / Barron, Susan., 1991

 Item
Identifier: CC-23205-23644
Scope and Contents

The poem was made by linking headlines from the New York Times which are pasted onto a white ribbon to form a scroll. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

one cent: Geese and Goats are in the Same Family. No.218/Jan / Wharton Hood., 1989

 Item
Identifier: CC-28979-30312
Scope and Contents

The loose sheet is a Keeler's eye chart. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

one cent: Geese and Goats are in the Same Family. No.218/Jan / Wharton Hood., 1989

 Item
Identifier: CC-28980-30313
Scope and Contents

The loose sheet is a Keeler's eye chart. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

one cent: Geese and Goats are in the Same Family. No.218/Jan / Wharton Hood., 1989

 Item
Identifier: CC-28981-30314
Scope and Contents

The loose sheet is a Keeler's eye chart. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989